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当代大众旅游离不开摄影行为和影像,影像拍摄在大众旅游中无处不在,无时不在。通过照相机和摄影机,影像与大众旅游结下了千丝万缕的紧密联系,在旅游企业、游客与旅游地居民三方的共同作用下完成了对旅游地自然景观和文化景观符号化的影像建构与消费,旅游目的地的风景成了无数来自不同群体与集团的照相机、摄影机共同“凝视”下的“风景”。然而,作为凝视生产与视觉消费对旅游目的地文化的重构和再造,这样的“风景”与现实中的旅游地风景和文化已相去甚远。
Contemporary mass tourism is inseparable from photography and video, video shooting in mass tourism everywhere, all the time. Through the camera and video camera, the image and the mass tourism have made countless connections, and completed the construction of the symbolic image of the natural landscape and the cultural landscape of the tourism destination under the joint action of the tourism enterprises, tourists and tourists. Consumption, tourist destination landscape has become countless from different groups and groups of cameras, cameras together “gaze ” “landscape ”. However, as the reconstruction and re-creation of tourism destination culture by gaze production and visual consumption, such “landscape ” is far away from the scenery and culture of tourist destination in reality.