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吉诺·德·多米尼克(Gino De Dominicis)是一位在作品的卓越性及对艺术领域观念的“古怪性”方面称著艺术家。他一直不计代价的思索、诠释艺术家角色的最佳概念,并付诸实践。他对绘画有完全的信心并相信他在基本统一的媒介中找到了一种表达的最佳语言。我们知道多米尼克是怎样掌控其作品的方方面面,我们也知道他为每一个细节都投注了绝对的关注。现在我们面对两个迫切的问题:尊重其思想及心愿,以及保存他非凡作品的希望。虽然我们淹没在一个图像的世界中,但是吉诺·德·多米尼克作品的图片却并不好找。这样做是值得的,因为他的作品从来不会让人失望。我从未见像他对当前艺术体系这样的激进挑战,但是这种激进没有挑衅也不是泛泛而谈的空论——而是来自其作品所表达的情感。
Gino De Dominicis is an artist who speaks of the “eccentricity” of the work’s excellence and the notion of art. He has always considered the best of the artist’s role and put it into practice, regardless of cost. He had complete confidence in the painting and believed that he had found one of the best expressions in the medium of fundamental unity. We know how Dominique masters all aspects of his work, and we know he’s betting absolute attention on every detail. Now we face two pressing issues: respecting their thoughts and aspirations, and the hope of preserving his extraordinary work. Although we are submerged in a world of images, the picture of Gino de Dominic’s work is not easy to find. It is worth it because his work never disappoints. I have never seen such radical challenges as his current art system, but this radicalization is neither provocative nor general but discursive - it comes from the emotion expressed in his work.