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锅庄舞作为羌族的传统娱乐项目,不仅有着较为悠久的历史,同时还担任了非常重要社交功能。锅庄舞除了社交还有不可忽视的集会与自娱性,羌族人民可以在这项传统的项目中获得欢乐、交流感情、培养身心健康。一种艺术形式的传承与发展都与这种艺术形式的内涵有不可忽视的关系,只有深厚的内涵才能让这种艺术形式传承与发展下去,集会性与自娱性便是维系羌族锅庄舞传承与发展的文化内涵,只有掌握了这种艺术形式本身所携带的艺术内涵,才能让这种艺术形式传承与发展下去。羌族锅庄舞发展至今为人所知,集会与自娱性的内涵也是其个中原因之一。本文仅就汉中地区羌族舞蹈“锅庄舞”为例,论述汉中地区羌族舞蹈的集会与自娱性特点,以及当地的羌族舞蹈文化。
As a traditional entertainment project of the Qiang ethnic group, Panzhuang Dance not only has a long history, but also plays a very important social role. In addition to the social and social activities that can not be ignored, the Qiang people can enjoy joy, exchange feelings and develop physical and mental health in this traditional project. The inheritance and development of a kind of art forms are all irreconcilable with the connotation of this form of art. Only profound connotation can make this form of art inherit and develop. Rally and self-entertainment is to maintain the inheritance of the Qiang Only by grasping the artistic connotation brought by the art form itself can we inherit and develop the art form. The development of the Qiang Pan Zhuang Dance is still known to all people. The connotation of the rally and self-entertainment is also one of the reasons. This article only discusses the Qiang dance “Panhuang Dance ” in Hanzhong area as an example to discuss the characteristics of Qiang dance assembly and entertaining in Hanzhong area and the local Qiang dance culture.