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一在二十世纪初,作为艺术之都,巴黎像磁铁一样吸引了全欧的青年艺术家。仅从绘画领域来看,毕加索、勃拉克早在1900年便到巴黎;杜尚、布朗库西、阿尔普也在1904年到达巴黎;克利在1905年到巴黎;康定斯基、格里斯、塞凡里尼在1906年到巴黎;夏加尔在1910年到巴黎;契里柯在1911年到巴黎……至于法国外省艺术家如卢梭、德洛内、弗拉曼克、德朗、郁特里罗等等,都先后从四面八方聚集都城。追寻艺术的人不可能提前得到艺术必然成功的保证,但对所有抵达巴黎的青年艺术家们来说,无不雄心勃勃地渴望以个人才华博取天下扬名的声望。
At the beginning of the twentieth century, as the capital of art, Paris, like a magnet, attracted young artists from all over Europe. Only from the field of painting, Picasso, Braque as early as 1900 to Paris; Duchamp, Brancusi, Arp also arrived in Paris in 1904; Kerry in 1905 to Paris; Kandinsky, Gris, plug Vanini went to Paris in 1906; Chagall went to Paris in 1910; Chillico went to Paris in 1911 ... As for the French provincial artists such as Rousseau, Delonne, Flaman, DeLong, And so on, have gathered from all over the capital from all directions. It is impossible for those who search for art to obtain the guarantee of the inevitable success of art in advance, but for all the young artists who arrive in Paris, they all ambitiously desire to win the reputation of world famous by their personal talents.