中国京剧院的《紅色衞星闹天宮》演出后,各地不少剧团也都跟着上演。西安一家豫剧团演出它后,有位同志以《中国神話剧的新發展》为題,对之“拍案叫絕”,誉之为这是“革命的現实主义与革命的浪漫主义結合的大胆尝試”! 我有点怀疑。戏中写的天宮,还是我国封建社会人們幻想的产物。苏联人造衛星上天之际,我們早把封建社会扔在后面了。但这个戏把世界上最先进的、只有社会主义国家才有可能首先制造出来的科学产物,在我国正向社会主义飞跃前进的时代,用来解决什么問題呢?解决的是新民主主义革命中已經解决了的問題:反封建統冶! 用最新的、社会主义时代的科学产物,去解决已經过去了的,已經不存在的問題;用二十世紀六十年代人类征服星球的武器,去解决孙悟空、沉香太子时代 After the performance of the “Red Satellite Havoc in Heaven” at the Peking Opera Theater, many troupes from all over the country were also staged. After a performing troupe in Xi’an performed it, some comrades titled “Making a Successful Case” for the title of “New Development of Chinese Mythology Drama,” praised it as a “bold attempt to combine revolutionary realism with revolutionary romanticism Try ”! I am a bit skeptical. The Temple of Heaven written in the play is also a product of the illusions of feudal society in China. When the soviet satellites were in heaven, we had left the feudal society behind. However, this play treats the most advanced science in the world that only the socialist countries could possibly produce first and what problems should be solved in the era when our country is leapfrogging toward socialism? The solution is the new-democratic revolution Problems already solved: anti-feudalism! Use the latest scientific products from the socialist era to solve the already existing and non-existent problems. Use the weapons of the 1960s that mankind conquers the planet to solve Monkey King, Prince Edward incense era