绘画书法化为文人画的目标。由于书法与作为载体的汉字密不可分的关联,绘画书法化必然要求绘画在一定程度上汉字化。由此作为书法根基的文字学也影响到绘画。作为汉字造字原则之一的“指事”对文人画,尤其是山水画的发展曾起过非常重要的作用。其直接产物之一是宋代米点山水的异军突起,并在以后长久地影响了文人画的发展。这种贡献即在于它与书法相表里,将文人画逐渐推向抽象化。 Painting calligraphy into the goal of literati painting. Due to the inextricable connection between calligraphy and Chinese characters as a carrier, the calligraphy of painting necessarily requires that the painting be translated into Chinese to a certain extent. The philology which is the basis of calligraphy also affects painting. As one of the principles of Chinese characters, “Fingering” has played a very important role in the development of literati painting, especially landscape painting. One of its direct products is the sudden appearance of rice-point landscape in the Song Dynasty, and has long affected the development of literati painting. This contribution is that it is with the calligraphy in the table, the literati painting gradually pushed to the abstraction.