西方审美主义文化、《圣经》文化经验以及以悲剧性的现代工业社会、激烈冲突的父母情感、母亲的甜蜜溺爱、弥漫的死亡阴影为主要元素的被抛入世的处身情境共同构成了D·H·劳伦斯先在性的存在领悟。这种先在性的存在领悟不仅决定了劳伦斯的创作意志和审美态度,而且也影响了他的生存之思的审美方式与审美内容。 Western aesthetic culture, the cultural experience of the Bible, and the worldly circumstances of the world dominated by tragic modern industrial society, violent conflicts of parental affection, mother’s sweet addiction, diffuse death shadow, Lawrence first comprehends the existence of sex. This preconceived notion of existence not only determines Lawrence’s creative intention and aesthetic attitude, but also affects his aesthetic thinking and way of living.