扬雄是汉代继司马相如之后的又一大家,他和司马相如是同乡,在赋的创作上对司马相如推崇备至,其文风和司马相如亦十分相像,然而其后期却几乎完全否定了前期的创作,本文从其接受的儒道两家的思想根源上浅析了他前后期创作的矛盾性。 Yang Xiong is another great man after Sima Xiangru in the Han Dynasty. He and Sima Xiangru are fellow countrymen, praising Sima Xiangru for his creation, and his style is very similar to that of Sima Xiangru. However, his later stage almost completely denied For the pre-creation, this article analyzes the contradiction of his previous and later creations from the ideological roots of Confucianism and Taoism.