张省教授我不熟悉,但我熟悉他的画。这大概是因为我喜欢刘海粟先生重彩山水画的缘故。世人颇多称誉张大千先生的泼彩山水画,而我却偏爱海老的重彩。那是一种冲击人们心灵的色彩斑斓且又迷幻的境界,张大千的泼彩虽也迷朦幽深,然其格局却没有海老那么壮阔雄强。张省是海老的门生,自然是深得海老重彩的发乳。故其山水格局大,对色彩的认知和运用也是颇得要领的。山水画的出新可以各尽其能,但在色彩上的突破也应该是其中不可或缺的一个疆域。我们读张省的画,常有一种身处旷野,在峻岭前有一阵敬畏,于白云间带一股醉意,居松林中添一份沧桑的感觉。而海老的那种或艳丽夺目,或干涩苍老的重彩山水特色,又 I am not familiar with Professor Zhang, but I am familiar with his paintings. This is probably because I like Mr. Liu Haisu heavy color landscape sake. Many people in the world have praised Mr. Zhang Daqian’s landscape paintings of splashes of color, but I prefer the colors of the sea. It is a colorful and psychedelic state that impinges on people’s hearts. Although Zhang Daqian’s splashed color is also obscure and deep, its pattern is not magnificent and magnificent. Zhang is the oldest student of the sea, is naturally won the sea of ​​old hair color hair. Therefore, the landscape pattern, the color of the cognitive and the use of quite get the essentials. The freshness of landscape painting can do its best, but the color breakthrough should also be an indispensable territory. We read Zhang’s paintings, often in a wilderness, awe in front of awe, with a drunk in the Baiyun, Ju Songlin add a feeling of vicissitudes. The old kind of sea or gorgeous eye-catching, or dry old heavy color landscape features, and