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上个世纪三十年代上海良友图书印刷公司出版的《中国新文学大系》成为中国文坛的一杆大旗,它汇聚了当时具有影响力的一批文人和理论家的作品和论著,为中国现代文学发展指明了方向。本文有感于《中国新文学大系》(1917-1927)中关于文学理论建设方面的内容,并以凌叔华小说《绣枕》为例分析五四时期对“活的文学”和“人的文学”的呼吁的追求。
The “New Chinese Literature Series” published by Shanghai Liangyou Book Printing Company in the 1930s became a banner of Chinese literary world. It brought together influential works and treatises by a group of influential literati and theorists for China The development of modern literature points out the direction. This essay is based on the content of literary theory construction in “The Great Line of Chinese New Literature” (1917-1927) and the analysis of “living literature” and “ Human Literature ”appeal to the pursuit.