中国歌坛、乐坛上各路英雄各显其能,最领风骚当属流行音乐,其来势之猛,传播之广,接受人数之众,为其“非火一把不可”提供了便利的条件。一时间,流行歌手、乐手们“各领风骚三五天,今日不火持何时”,你刚唱罢我登台,热闹非凡,给人一种精彩纷呈的感受。其实不然,中国流行音乐本身的问题数年来没有得到解决,这种热闹非凡现象只能使中国流行音乐之路愈走愈窄,虽不至于像港台那样“生命力贫弱已到了艾滋病末期的阶段”,但也有重蹈覆辙之势。商品经济大潮前呼后拥地将流行音乐推向了潮头,各种似乎专为流行音乐建立的 Chinese pop music, the heroes of all kinds on the music scene have their own potentials, the most popular is undoubtedly pop music, its fierce fierce, wide spread, accepting the number of people, for its “non-fire indispensable” provided a convenient condition. For a time, pop singers, musicians who “lead the trend of three to five days, today is not on fire” when you just chant me on stage, crowded, giving a wonderful feeling. In actual fact, the problem of pop music in China has not been solved for years. This kind of lively and extraordinary phenomenon can only narrow and narrow the road to popular music in China. Although Hong Kong and Taiwan do not have the “vital and impoverished vitality reached the stage of AIDS” , But also have the same mistakes. Whistle-blowing before the tide of commodity economy pop music to the forefront, all seems to be created specifically for pop music