初春的一个夜晚,我们看中央实验话剧院演《爱情之歌》。绝大多数观众是青年男女,剧场效果相当强烈。散戏后,我们反复琢磨一个问题:青年观众们如此喜爱这个戏,其中肯定有些什么道理。“因为它写了爱情。”这是自然而然的答案。的确,自从林彪、江青合伙炮制那个《纪要》以后,写爱情的文艺作品也被打入 One night in early spring, we look at the Central Experimental Drama Theater “love song.” The vast majority of viewers are young men and women, the theatrical effect is quite strong. After the game, we repeatedly ponder a question: young audiences so loved the movie, of which there is certainly some truth. “Because it wrote love.” This is a natural answer. Indeed, since Lin Biao and Jiang Qing concocted that “summary”, literary and art works that write love have also been broken into