《贵妃醉酒》是梅兰芳生前的代表作,也是李玉茹多年舞台经验的艺术结晶。她演《醉酒》已有四十四年的历史,积累了丰富的经验,有很多独到之处。太真含笑入帘来京剧演员大都重视出场时的效果。李玉茹的《醉酒》闷帘的一声“摆驾”响彻全场,起到了先声夺人的作用。然后,杨妃面部含笑,慢步出场。出场后的动作都比较慢,左右“踏步”的跨步很大,几乎达到半个舞台。她的“软投袖”工底好,幅度大。而这些表演又是和杨玉环的处境、地位、性格以及出场时的具体情境紧密相连。 “Drunken Beauty” is a masterpiece of Mei Lanfang’s lifetime, but also the artistic crystallization of Li Yuru’s many years of stage experience. She has performed “Drunken” forty-four years of history, has accumulated rich experience, there are many unique. Too really smiling into the curtain to the Beijing opera actors most attention to the effect of appearances. Li Yuru’s “drunken” boring curtains soon as “pendulum” rang the audience, played a pioneering role. Then, Yang Fei facial smile, walked slowly. After the action is relatively slow, about “stepping” step by step, almost half of the stage. Her “soft sleeve” workmanship is good, a large margin. And these performances are closely linked with Yang Yuhuan’s position, position, character and the specific circumstances of his appearances.