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大量的性描写指向了当时社会思想文化延续中的两个极端:伦理纲常的规范对身心的禁锢和严酷背景下思想解禁潜流的涌动所带来的相对宽松的生活格局。《凤阳士人》并没有停留在对于儒家道德观念的缅怀,而是以梦中情缘为契机,以小曲【骂玉郎】为中介,以丽人的消失和被记忆为大结局,表现了归依传统道德的人生理性以及难舍情爱与美色的欲的涌动。
A large amount of sexual description points to the two extremes in the extension of social ideology and culture at that time: the relatively loose living pattern brought about by the imprisonment of the norms of ethics and the surging of ideological lifting under the harsh background. “Fengyang scholars” did not stop at the memory of Confucian morality, but the dream of the occasion as an opportunity to small song [scolded Yulang] as an intermediary, beauty disappeared and was remembered as the finale of the end, showed the recuperation The irrationality of traditional morality and the surging love and beauty desires.