丙申大吉毛国强(浙江)取法元朱文,笔画转折处圆曲带过,用笔略轻,使人感受到了作者的工巧与细腻。印文大小排列因笔画繁简而异,空间布白力求均衡对称,气息工整雅致。问题是:一、作品中“丙”字、“大”字、“吉”字“士”部等几个横画,线条的起止全部直达边框,显得太夸张,与边框交接的地方为求厚重,都处理成焊点状,形状相似,欠细节的变化,显得机械呆板了。横画的舒展与“丙”字下部、“申”字“曰”部、“吉”字“口”部的收缩相对比显得过于强烈,使这些部件看上去不够舒展。二、“大”字下方向 Aches big brother Mao Guoqiang (Zhejiang) take the yuan Zhu Wen, the turning point of the stroke of the curve with a pen slightly light, people feel the author’s clever and delicate. Printed size varies due to the complexity of strokes, the space cloth white and strive to balance symmetry, elegant and elegant atmosphere. The questions are: First, there are several horizontal paintings in the works such as “C”, “Big”, “Ji”, “Shi” With the border transfer place for the thick, are processed into a solder point shape, shape similar to the details of the change, it seems mechanically stiff. The horizontal stretch is contrasted with the contraction of the lower part of the “C” character and the contraction of the “Shen” character “Yue”, “Ji” and the “mouth” Up is not enough stretch. Second, “big ” under the word