论文部分内容阅读
艺术赞助作为美术史研究的方法论之一,最早起源于西方文艺复兴的艺术研究之中。近些年已被国内学者广泛运用1,并为美术史研究提供了十分裨益的方法。艺术赞助作为赞助人与艺术家之间的一种经济关系或经济契约,是一种社会行为,但同时也是一种个人行为,各个群体、阶层都存在一定差异。对于赞助的动机而言除了最根本的经济利益之外,不同的赞助人会有不同的赞助动机。本文主要讨论这种契约的经济利益关系背后所存在的情感因素对艺术赞助所起到的综合性作用。
Art sponsorship, as one of the methodology of art history research, originated from the artistic research of Western Renaissance. In recent years, it has been widely used by domestic scholars1 and provides a very useful method for the study of the history of art. As an economic relationship or economic contract between sponsor and artist, art sponsorship is a kind of social behavior, but it is also a kind of individual behavior. There are some differences among various groups and classes. In addition to the most fundamental economic interest in sponsoring motives, different sponsors have different incentives for sponsorship. This paper mainly discusses the comprehensive effect of the emotional factors behind the economic interests of such contracts on the sponsorship of the arts.