中国绘画,经过千百年的陶冶、锤炼,形成以线为主的语言特点,这种线融自然、生命节律于其中,内蕴十分丰富繁复,极富形式意味,它内含着感觉层面上的意味。因此,线,在中国绘画上有多种属性,并且具有明显地人为性。线,在中国绘画中本身就是一个完整的世界;如果对其本体进行考察,我们可以发现这是一种美的体验,特别是一种具有意味作用乃至象征作用的绘画体验,因为,这种美的体验显然触及人类精神的深处,在其构成的表象之中蕴含着许多文化含义。作为一种传达象征的线,在其对自然的传达与理解之外,还有更多、更清楚和更深刻的传达 Chinese painting, after thousands of years of cultivation, tempering, to form a line-based language features, this line into the natural, life rhythm in which the richness and complexity of the rich, very formal meaning, which contains the sensory level Mean Line, therefore, has a variety of attributes in Chinese painting and is obviously man-made. Line, in Chinese painting itself is a complete world; if we examine its ontology, we can find that this is a beautiful experience, especially a drawing experience with meaning and even symbolism, because this beautiful experience Apparently touching the depths of human spirit, there are many cultural implications in the appearance of its composition. As a line of symbolism, there is more, clearer and more profound communication beyond nature’s communication and understanding