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戏剧的终极产品是演出,创作与舞台呈现乃是学术研究的重要组成部分。本刊自本期始,不定期地推出“创作与理念”专栏,意在通过对新剧目的理念及舞台呈现的探讨,使读者更形象地了解、接触戏剧创作的学术前沿,为戏剧家及评论家提供平台。相信它对于繁荣创作,展开新观念、新视野、新手法等多层面的学术交流,具有重大意义。有鉴于此,本期“创作与理念”栏目所发的一组探讨文章,从创意、编导、剧评等几个方面切入,以期能引起同行的进一步思考。
The ultimate product of theater is performance, creation and theatrical presentation are important components of academic research. Since the beginning of this issue, this magazine has launched the column entitled “Creation and Idea”, intended to give readers a better understanding of and contact with the academic frontier of drama creation through the discussion of the concepts and stage presentations of new plays. Home and critics to provide a platform. It is of great significance to believe that it is a multi-level academic exchange for the prosperous creation and launching of new ideas, new horizons and new approaches. In view of this, this issue “creation and concept ” section issued a series of articles from the creative, director, drama critics and other aspects into, in order to be able to arouse further thinking colleagues.