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历史,一个自其深处被抽离的时代的深度,一个没有真正小说的时代的真实小说。记忆,晋升至历史的中心——这是对于文学的盛大悼别。——皮耶·诺哈(Pierre Nora)1到底是在什么样的时代情境下,临摹中国传统古画式的伪山水与录像式的万岁山水(《万岁》《万万岁》)会共处同一个山水?换个方式说:正如姚瑞中已经意识到的,虽然身为一介(台湾)岛民,他仍须面对由中华文化(与中国水墨传统)而来的质问,此外,他没有明言但我们也可以设想的是,由于身处场域的关系,
History, the depth of an era that has been pulled away from its depths, a real novel of an era without a real novel. Memory, promotion to the center of history - this is a grand celebration of the literature. - Pierre Nora 1 In what time is the situation of the times, the false landscapes copied from the traditional Chinese ancient paintings and the long-lived video-age landscapes (“Long live” and “Long live”) coexist Another way of saying that, as Yao Ruizhong has realized, though he is still a foreigner (Taiwan), he still has to face the questions raised by the Chinese culture (with the Chinese ink tradition). In addition, It is also conceivable that, due to the presence of the field,