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刘勰顺应时代的文化发展,表现出独特的读者观念,这种读者观念不仅体现在《文心雕龙》的《知音》篇中,也体现在其他篇章中。刘勰的“读者意识”表明:情感是沟通读者与作者间的纽带;“博观”与“识见”等方法是批评的途径;读者应当辩证地看待刘勰的文艺思想。刘勰的“读者意识”可以同西方的接受美学、解释学文论展开有限度的对话,它对于当前的文艺批评建设仍具有重大的启示意义。
Liu Xun follows the cultural development of the times and shows unique reader conceptions. This notion of readers embodies not only in the “companion” of Wen Xin Diao Long but also in other chapters. Liu Xie's “Reader's Consciousness” shows that emotion is the link between readers and readers; “Bo” and “Insight” are the ways of criticism; and readers should view Liu Xie's literary thought dialectically. Liu Xie's “Reader's Consciousness” can open a limited dialogue with western acceptance aesthetics and explain the theory of essay. It is still of great significance for the current construction of literary criticism.