在任何社会或文化中,戏剧的骨格、肌肉和纤维都是由剧作家构成的,没有他们的创作,我们所说的戏剧便不复存在。1920年至1970年之间的50年是美国戏剧界最为繁荣的时期。在那些年代里,尤金·奥尼尔,桑顿·王尔德,马克斯韦尔·安德森,罗伯特·舍伍德,考夫曼和哈特,莉莲·海尔曼,阿瑟·米勒,田纳西·威廉姆斯和威廉·英格等剧作家的创作之笔源源不断地写出悲、喜剧两种风格的作品,它们皆为犀利的、令 In any society or culture, the skeleton, muscles and fibers of drama are made up of playwrights. Without their creations, the drama we say no longer exists. The 50 years from 1920 to 1970 were the most prosperous periods in the American theater industry. In those days, Eugene O’Neill, Sandton Wilde, Maxwell Anderson, Robert Sherwood, Kauffman and Hart, Lilian Hellman, Arthur Miller, Tennessee Williams And William Inge and other playwright writing endless source of sadness, comedy two styles of work, they are sharp, so that