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本文所谓“鼻腔共鸣”,是指戏曲吐字过程中鼻腔参与共鸣的口鼻联合共鸣。文中涉及单纯的鼻腔共鸣时,则用“鼻音”一语称说。 在戏曲声乐教学中,关于鼻腔共鸣的训练,一般采用“靠字法”。靠字法虽然对受训者有启发作用,但是,因为它是通过发音心理(想着所靠之字)来影响生理机能(软腭和舌根动作)的,所以,它不能直接、有效地提高受训者对生理机能的控制能力,而且还容易给受训者带来字音收音不准的附作用。
The so-called “nasal resonance” refers to the nasal resonance in the process of articulation of the mouth and nose resonance. The article relates to a simple nasal resonance, then use the “nasal tone” in the phrase. In the teaching of vocal music in the opera, the training on nasal resonance generally adopts the “character-by-law”. Although it is instructive to the trainee by lettering, it does not directly and effectively improve traineeship because it affects the physiology (the soft palate and tongue base movements) through the psychology of speech The ability to control the physiological function, but also easy to bring the trainees with the wrong pronunciation of the attached function.