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拉夫尔曾精辟地论述:“形式由内容长生,与内容统一;虽然内容占首位,但是形式反作用于内容,从不居于被动地位”①。形式与内容的二元性不适用于分析文艺作品,因为这种说法将文艺作品的“灵”与“肉”相分离,背离神形兼备的基本要求。流行文化是文艺作品的上位概念,借助于各种载体表现其内容与精神,但是流行文化的内容也受动于形式发展。流行文化形式具有明显的主动性,正
Lavre has brilliantly elaborated: “The form of the content from the content of life, and the content of unity; although the content of the first place, but the form of reaction to the content, never living in a passive position”. The duality of form and content does not apply to the analysis of literary and artistic works, because this argument separates the “spirit” of the literary and artistic works from the “meat” and deviates from the basic requirements of the divine nature. Pop culture is the superior concept of literary and artistic works, with its contents and spirits manifested through various carriers, but the content of pop culture is also subject to formal development. Pop cultural forms have obvious initiative, positive