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2003年,随着《哥伦拜恩的保龄》(Bowling for Columbine)荣获第75 届奥斯卡最佳长纪录片奖,迈克尔·穆尔的名字为全球电影观众所熟知;2004 年,由于《华氏9·11》(Fahrenheit 9/11)荣获第57届戛纳电影节金棕榈大奖,穆尔成为全球公众的谈论对象。然而,在电影圈内尤其是纪录电影领域,穆尔的大名早在十多年前就频频出现在媒体上,并且成为电影研究工作者关注的对象。本文详细读解了他的纪录片处女作《罗杰和我》(1989),有助于我们深入认识和思考《华氏9·11》掀起的纪录片热潮,以及由此引起的纪录片与政治、道德、商业的关系等热门问题。
In 2003, Michael Moore’s name was known to moviegoers worldwide as Bowling for Columbine was awarded the 75th Oscar for Best Documentary Award; in 2004, due to “Fahrenheit 9 · 11 ”(Fahrenheit 9/11) won the 57th Cannes Film Festival Golden Palm Award, Moore became the global public talk object. However, in the film industry, especially in the field of documentary film, Moore’s name has appeared frequently in the media more than a decade ago and has become the object of attention of film researchers. This article gives a detailed account of his documentary debut album “Roger and Me” (1989), which helps us understand and think deeply about the documentary boom set in “Fahrenheit 9.11” and the resulting documentary and political, ethical, commercial The relationship and other popular issues.