“肌质”指词语间的组织,“节奏”指肌质组织衍生的律动,“抒情空间”即情意脉络的动态布局。一首诗便是三层构架互动而成的有机整体。本文并不意在归纳一些“诗法”、“诗型”或追溯形式的历史变迁,而集中以古典诗歌美学为参照,通过由肌质到抒情空间的结构分析,展示现代汉诗美学形态的趋向,为开拓新路的现代汉诗提供一个观照的角度。现代汉诗重复探索语言肌质,寻求自身成为开放、可塑、富张力的经验载体。这种运动姿态仍是抒情的节奏,同时也是体验的、“遭遇”的节奏。现代汉诗是古典诗歌这舞台的延伸和改造,但舞者的舞姿却已跃进了新的演出空间,其开发新感知形式的“经验”对当今汉诗的创作和分析有一定借鉴作用。 “Muscle ” refers to the words between the organization, “rhythm ” refers to the rhythms derived from the sarcoma, “lyric space ” that is, the dynamic layout of the context. A poem is an organic whole formed by the interaction of three layers of architecture. This article does not intend to summarize some historical changes such as “poetic style”, “poetic style” or retrospective style, but focuses on the classical poetic aesthetics as the reference, and through the structure analysis from the muscle to the lyric space, The trend of aesthetic form provides a perspective for modern Chinese poetry to open up new paths. Modern Chinese poetry repeatedly explore the language of slender, seeking to become their own open, plastic, rich experience of the carrier. This movement is still the lyrical rhythm of the gesture, but also experience, “encounter ” rhythm. Modern Chinese poetry is the extension and transformation of the classical poetry stage, but the dancer’s dance has leapt into new performing space. Its development of new perception forms “Experience ” has certain reference to the creation and analysis of modern Chinese poetry .