一吕凤子书法风格的形成,与晚清碑学大盛这一背景不无关系。吕凤子孩提时代即从丹阳名家殷墨卿学习书法并受乡人称赞,因无墨迹流传,这期间的师承及风格并不清晰。吕凤子在两江优级师范学堂求学时①,其师李瑞清是碑学的拥护者,书名颇隆,对商、周、秦、汉、魏晋、南北朝金石碑版尤多用功,是碑学理论的鼓吹者和执行者,晚年汲取汉魏简牍、两晋南北朝写经 A Lu Fengzi calligraphy style formation, and the late Ming Dynasty Shing-sheng this background is not unrelated. Lv Fengzi was born from the famous writer Danyang Yin Moqing calligraphy and praised by the townsfolk, because no ink spread, during which the teacher and style is not clear. When Lv Fengzi was studying in Liangjiang Excellent Teachers College, his teacher Li Ruiqing was a proponent of the study of Buddhism. His book name was rather long, and he used his work more hardworking on the tablets of tablets of the Golden Stone in Shang, Zhou, Qin, Han, Wei, Jin and Northern and Southern Dynasties. Advocates and perpetrators in his later years to learn Han Jian Wei, Southern and Northern Dynasties writing classics