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明代自弘治年間周瑛編撰《詞學筌蹄》開始,先後編刊詞譜十餘種。張綎《詩餘圖譜》在明清詞譜編撰史上具有發凡起例的意義。沈璟《古今詞譜》按十九宫調編排,在詞律與詞樂的結合方面作出重要貢獻。陳耀文《花草粹編》蒐輯唐宋元詞調七百餘種,實不僅是一部捃摭繁富的大型選本,亦可視爲詞調大全,爲後來的詞譜編撰提供了漁獵之資。明代詞譜作爲詞學入門的普及讀物,在激發詞學興趣、培育詞學愛好者方面發揮了重要作用,爲明代後期的詞學復興在技術層面提供了條件保證;明人在詞調的輯録甄别、異體的辨識認定,以及編排體例、圖譜標識等方面的不懈探索,爲清代詞譜編纂的進一步完善,起到了不可或缺的探索與鋪墊作用。
Beginning of the Ming Dynasty, Zhou Ying, editor in chief of The Book of Songs, published more than ten kinds of idioms. Zhang 綎 “Poetry” atlas in the Ming and Qing Dynasties in the history of the compilation of poetry with examples from the beginning of the significance. Shen Jing “Ancient and Modern Ci-poetry” according to the nineteenth house arranger arrangement, in the combination of the word law and the lyrics made an important contribution. Chen Yaowen “cursive” series Tang and Song Yuan tune more than 700 kinds of tone, it is not only a rich and powerful selection of large anthologies, can also be regarded as the tone tuning, for later compilation of the spectrum provided fishing and hunting resources. As a popularization book of Ci study, Ci-poetry of Ming Dynasty played an important role in arousing the interest of Ci-poetry and cultivating lovers of Ci-poetry. It provided the conditions for technical rejuvenation of Ci-poetry in the late Ming Dynasty. Identification of different body recognition, as well as the organization of the body, map identification and other aspects of the unremitting exploration for the Qing Dynasty to further improve the compilation of the spectrum, played an indispensable role in exploration and bedding.