本期推荐了个“后”小诗人的诗歌。10 00这种以明显的代际划分为主导的选稿庶几给我带来了挑战,我们说到儿童诗歌,是基于以怎样的审美尺度或者说以什么样的姿态来衡量?自古有诗不达诂一说,说起诗歌,有时候说上一万句也不为多,有时候说上半句话已显多余,我坚持认为一首好诗首先必须具备“真”:真诚(写作态度)、真正(个人气质)、真情(情感饱满)、真切(能够打动人)和真实(写作动机)。 This issue recommended a “after ” poet’s poetry. This kind of selection, led by a clear intergenerational division, posed a challenge to me. When we talk about children’s poetry, it is based on what kind of aesthetic measure or attitude. As soon as he talks about poetry, he sometimes says that there are not more than ten thousand sentences. Sometimes he says that the first half of his speech has become superfluous. I insist that a good poem must first have “true” truth: Writing attitude), real (personal), true (emotional), real (able to touch people) and true (written motivation).