中国的乡村描述是记忆的,并且是一种“既有”的记忆,一种因袭下来的想像。“既有”是观念的积累、文化的积累、行动的积累,以因袭或潜移默化的形式,共同构建出的文本或图像形态的乡村形象。这种“既有”形象几乎都是先验的,它可以披上感性或理性的外衣,但其始终距离真实图像很远。我们能够看到,无论是以主流“暴力”话语(政治或革命意识形态和与 China’s rural description is memory, and is a “existing ” memory, a follow-up imagination. “Existing ” is the accumulation of ideas, accumulation of culture, accumulation of actions, and the construction of a rural image of text or image in the form of herd or subtle forms. This “existing” image is almost a priori, it can be put on a sensual or rational coat, but it is always far from the real image. We can see that both the mainstream “violence” discourse (political or revolutionary ideology and