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中国国产动画上个世纪出现了《大闹天宫》、《三个和尚》、《哪吒闹海》等作品为代表的辉煌期,动画音乐融汇中国民乐与戏曲的民族化元素走向世界。20世纪90年代开始,国产动画音乐民族化元素逐渐弱化,影响力随之下降。本文通过从国产动画音乐对中国传统文化内涵传播、与影片契合度、与语言、音响的融合表现等角度展开研究,通过分析我国动画音乐传播民族化元素缺失的表现,寻找导致该情况的原因,提出解决对策。
Chinese domestic animation The brilliant period represented by works such as “Havoc in Heaven,” “Three Monks,” and “Naozuo Naohai” appeared in the last century. Animation music integrates the nationalization elements of Chinese folk music and opera into the world. From the 90s of 20th century, the nationalization elements of domestically produced animation music gradually weakened and their influence decreased. This paper studies the connotation of Chinese traditional culture, the fit of film, the performance of fusion with language and sound from the domestic animation music. By analyzing the performance of nationalistic elements in the dissemination of animation music in China, looking for the reasons leading to the situation, Propose solutions.