从1976年到80年代初,中国美术界并没有出现西方现代主义意义上的抽象绘画。但是,个体意识的觉醒和艺术家对艺术本体的建构意识却为其后抽象艺术的萌芽创造了先决的条件。就70年代末的绘画来看,只有少部分作品在形式上具有抽象性的因素,但形式仍必须为内容服务,形式并没有进入“纯粹”、“自律”的状态,我将其称为“非具像性绘画”。但在当时特定的艺术环境下,它们已被赋予了一种前 From 1976 to the early 1980s, there was no abstract painting in the Western modernism in the Chinese fine arts. However, the awakening of individual consciousness and the artist’s awareness of the construction of the art ontology have created the preconditions for the subsequent emergence of abstract art. As far as the paintings of the late 1970s were concerned, only a few of the works were abstract in form, but the forms still had to serve the content. The forms did not enter the state of “pure” and “self-discipline.” I will It is called “non-figurative painting ”. But in the specific artistic context of the time they were given a precedent