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微缩景观展现给人们的大致有如下几种情况:客观世界模具化、游戏性、谜语一样的幻境……这样的微缩景观,很多来自移轴相机所带来的中心点聚合效应,这些在大卫·伯奈特拍摄的体育比赛影像里,已经具有了可观的评价。在国内大量地应用于摄影实践中的,都无非是将镜头对准中国密集的城市建筑,制造出奇异而虚假的再观看镜像。如果反过来,将人造画面构建起的场景进行二次定格,观看者处于真实与虚假的观看困惑中,则是较为困难的拍摄项目。就目力所及,国内投入这种拍摄的有李洁军,他的荷赛获奖作品《复制战争》,是还原部分经典战斗场景,
Miniature landscape to show people the following general situation: the objective world of mold, gameplay, riddles, the same illusion ... ... such miniature landscape, many from the shift brought by the central point of the camera polymerization effect, these in David · Peter Knight photographed the sports game video, already have considerable comments. Used in a large number of domestic photography practice, are nothing more than the lens of China’s dense urban architecture, creating a strange and fake re-viewing mirror. If, on the other hand, it is more difficult to take a second freeze on the scene constructed by the artificial picture and the viewer is in a real or a false viewing confusion. As far as possible, the domestic investment in this kind of filming has Li Jiejun, his Dutch winning prize work “copy the war” is to restore part of the classic battle scenes,