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与现实主义不同,作为荒诞派戏剧的开山之作,《等待戈多》中的意象淡化了为人物形象和戏剧情节服务的特点,而是转向对戏剧荒诞性的广阔积累,“反传统”的意象更体现出这种荒诞色彩。不同时期的戏剧评论家从剧情、语言、主题等角度对荒诞派都进行过详实的分析,但是对该剧中的意象涉及较少。本篇文章将从意象运用的角度入手,研究这些意象对戏剧的烘托效果,进而探讨荒诞派戏剧意象的艺术价值。
Different from realism, the image of “waiting for Godot”, as a pioneer of the theater of absurdism, has played down the characteristics of serving the characters and the plot of the drama. Instead, he turned to the vast accumulation of the absurdity of drama, "anti-tradition The image of the more embodies this absurd color. Drama critics of different periods have carried out a detailed analysis of the absurdism from the point of view of the plot, language and theme, but the images in the drama are less involved. This article will start from the perspective of the use of images to study the effect of these images on the drama and explore the artistic value of the drama of the absurd.