本文标题是从艺术家庞茂琨的自述中借用而来的,~1因为我感到,这句话恰好表明了庞茂琨艺术创作的特质,即:虽然他的作品大多以极为写实的面貌出现,但他从来都没有用画笔简单照抄他眼睛所看到的现实。恰恰相反,他总是想办法借具有写实特点的图像来呈现自己的主观意识,以表达超越画面图像的思想内涵。在本质上,他的做法与优秀的西方古典艺术大师常常会借貌似真实的描绘来表达隐藏在背后的主观精神与宗教内涵一样。这意味着,对庞茂琨来 The title of this essay is borrowed from the artist’s statement by Pang Maokun, 1 because I feel that this sentence shows the very essence of Pang Maokun’s artistic creation. Although most of his works are extremely realistic, he always Did not use the pen to simply copy his eyes to see the reality. On the contrary, he always tries to present his own subjective consciousness by means of images with realistic characteristics, so as to express the ideological connotation beyond the image of the picture. In essence, his approach and excellent Western masters of classical art often use the real portrayal of the hidden subjective and religious meanings behind them. This means that to Pang Maokun come