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在20世纪50年代中,克莱因的作品最不妥协,表现形式最勇敢,和通常人们所描绘的摄影标准相差甚远。这些有点不堪入目的照片,真实地再现了生活的本来面目,为当时已达巅峰似无进展的纪实摄影开辟了一条新路。
In the mid-1950s, Klein’s works were the most uncompromising and the most brash of forms, far behind the standards of photography commonly depicted by people. These somewhat unsightly photographs truly reproduced the true colors of life and opened the door to documentary photography that had reached its peak at the time.