刘祯(中国梅兰芳纪念馆副馆长,研究员):《皂吏与女贼》写女贼一枝梅与皂吏杨一索由解差与女囚的关系转变为爱情关系的过程。此戏如果从现实的人物行为来看是不合情理的,如一枝梅在逃脱后又返回来解救因为自己逃脱而被问罪的杨一索,这样的行为方式在现实中发生的几率几乎非常微小,但作为一出戏,如此结构情节确有人物性格塑造的合理性。作为一个女匪,一枝梅除了有应付解差想逃脱的本能愿望,还有女性的情感诉求,也有在这类另类女性身上所有的侠义性格,这几方面是此剧结构情节的支撑。而从这几方面 Liu Zhen (China Meilan Fang Memorial Hall, deputy director, researcher): “savior and the female thief,” write a thief and plum plum plum Yang Yansuo cable by the relationship between women and poor solution into the process of the relationship between love. If this act is unconscionable from the perspective of realistic character behavior, such as Yimei Yang who escaped and then returned to rescue Yang Yisuo, who was being questioned for escaping from his own escape, the odds of such a behavior happening in the real world are very small. But as a play, so the structure of the plot does characterize the reasonableness of the characters. As a female bandit, Yi Mei not only has the instinctual desire of escaping, but also the emotional appeals of women as well as all the chivalrous characters in such alternative women. These are the structural support for this drama. From these aspects