“外来的和尚”到中国来念经，其成败得失在８０年代中期的“方法论”热中表现得最为突出、最为典型。当时中国的哲学界、美学界、文艺创作界和文艺理论界，求新求变的心情可以用四个字来形容：急不可耐。如何实现新受？大家认为最有效最便捷的途径莫过于方法的更新，以为有了 “Foreign monks” came to China to study scriptures. Their successes and failures were most prominent and typical in the “methodological” heat of the mid-1980s. At that time, China’s philosophical circles, aesthetic circles, literary and art circles and literary and art circles, the mood of seeking change can be described in four words: impatience. How to achieve a new subject? Everyone thinks that the most effective way is the easiest way to update the method, thought it