杨波在《眼中的梁木》里这样写道:“她笑着说,每一口呼吸都过于快活,亲爱的爸爸,我想戒掉生活。”这样古怪而耐人寻味的文字,显然不一定适合拿来给许鞍华的电影做注脚,她的电影里捡起来的东西更多,正如泰迪罗宾在《胡越的故事》里唱的那样:“悲世事常变幻,转眼一空。”人要油盐酱醋,天降悲欢离合,说出来太做作,看起来又轻飘飘的,毕竟不是观众自己的个人史诗,只有这个拍了30年电影的香港女人才什么都能拿得起,并且放不下,戒不掉。 Yang Bo wrote in “The Beam in the Eyes”: “She smiled and said that every breath is too happy, dear father, I want to quit living. ” Such eccentric and thought-provoking text, obviously not necessarily suitable for To annotate Ann Hui's movie, and to pick up more in her movie, as Teddy Robin sang in “The Story of Hu Yue”: “The tragedy always changes and it's empty.” Oil and salt vinegar, heaven and earth joys and sorrows, say too contrived, looks floating, after all, not the audience's own personal epic, only this 30-year-old movie Hong Kong women can afford anything and let it go, Can not quit.