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本文探讨了叙事声音在塞缪尔.贝克特的剧作《等待戈多》构建与作用。贝克特在剧中构建了一个“虚无缥缈但全知全能的”的作者型叙述声音,该叙述声音创造了一种“更高更大,无法复制”的叙事权威。这一叙事权威将“荒诞”的表象与理性的思考很好地统一起来。
This article explores the construction and role of narrative voice in Samuel Beckett’s play Waiting for Godot. Beckett constructed in the play an author-narrated voice of “illusory but omniscient and omnipotent” that creates a narrative authority that is “taller, bigger, and can not be duplicated.” This narrative authority well unifies the appearance of “absurd ” and rational thinking.