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名家评语：王阔海对汉画的笔墨转换有四个特点：一是直接对汉画像石的平面结构和黑白关系进行了转换,二是内美的转换；把画像石的基因转换成笔墨基因,把汉代大气磅礴的精神融在水墨中,升华为自己的笔墨语言,这是非常难的。三是在转换中充分利用了没骨与飞白的笔线和流动的墨痕,以白代黑,知黑守白。四是将转换所产生的新的笔墨语言形式淡雅化了,有散淡空灵的境界。总之,王阔海是走了一条有文思、有追求、有风格的画家之路。
Commentaries by Wang Jiahai: There are four characteristics of Wang Kuo-hao’s transformation of the Han painting: one is the direct conversion of the planar structure and black-and-white relations of the Han Dynasty stone; the other is the conversion of the Neimes; the conversion of the portrait stone to the ink-and- The magnificent spirit melts in ink, sublimated into its own pen and ink language, which is very difficult. Third, make full use of the conversion did not fly and fly the pen line and the flow of ink marks to black on behalf of the white, black black white. The fourth is to transform the new form of pen and ink language produced by the elegant, there are empty ethereal realm. In short, Wang Kuo-hwa took the path of a painter with rich thoughts, pursuit and style.