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中国古代书法理论中有大量以自然之物做譬喻来解释诸如认知方式、审美心理、创作方法、艺术风格等问题的情形。这些“自然”譬喻可以分为自然基本元素(如“山”“水”等)、人的身体(“筋”“骨”等)、动物(“虫”“鱼”等)和植物(“草”“木”等)四大类。四种类型的概念通过重组和联合,形成特定的“自然”符号,向读者传递关于书体、笔法、书势等书法创作层面的信息,同时品评风格,区分书家,体现了中国古代书法艺术与体察自然之间的互动关系。“自然”譬喻现象在书法理论传播史上经历了逐渐成熟以及由崇尚到边缘化的历史过程,从而折射了书法理论史的观念演变以及自身语汇系统的发展。
There are a lot of situations in ancient Chinese calligraphy theory that use natural things as metaphors to explain such issues as cognitive style, aesthetic psychology, creative methods and artistic style. These “natural” metaphors can be divided into basic elements of nature (such as “mountain”, “water” and so on), human body (“ ”“ Fish ”, etc.) and plants (“ grass ”“ wood ”, etc.) four categories. Through the reorganization and union, the four types of concepts form the specific symbol of “natural” and convey the reader the calligraphic, calligraphy, calligraphy and other calligraphic creation level information, at the same time, The interaction between calligraphy and nature. “Phenomena of ” “Natural ” experienced a gradual maturity in the history of the theory of calligraphy and the historical process from admiration to marginalization, thus reflecting the evolution of the concept of the history of calligraphy and the development of its own vocabulary system.