老话说:“师傅领进门,修行在个人。”我认为未必完全正确。我一九五九年考入中央戏剧学院表演系。对表演启蒙老师,如在十年动乱中故去的洪涛老师,教我主课的张仁里老师及其他老师们,毕业二十一年来,自己是未敢轻忘的。是他们把我领进了表演艺术的大门。我在艺术上的成长,都是和老师们当年的教育分不开的。记得那时,总觉得设置课程过多,恨不能只上表演课才好,而经过了多年的实践以后,我才懂得当年的课程设置是科学的,它为学生未来的艺术成长打 The old saying goes: “The master takes the door and practices in the individual.” I think it may not be entirely correct. I was admitted to the performance department of Central Academy of Drama in 1959. Teacher Enlightenment to the performance, such as Hong Tao, who went to the turmoil of a decade, teacher Zhang Renli and other teachers who taught me the main course, graduated twenty-one years ago, he did not dare to forget. It was they who brought me to the door of the performing arts. My artistic growth is inseparable from the teachers’ education. I remember that time, I always feel that too much to set the course, can not wait for the performance class was only good, but after years of practice, I learned that the curriculum is a science that year, it is for students to play the future growth of art