马丹的作品透露出一种让人猝不及防的单纯。这种单纯不仅因她笔下绮丽的云南风光,更因为她内心对单一和纯真的美好向往。在她的绘画上,有着两个空间,一个是自然的世界,一个是舞台的空间,一个热烈温暖,一个暗冷沉静,但都是马丹内心生活的真切投射。只有在绘画艺术中,时间会停止下来,停顿在记忆的某一刻,这是恩赐的时刻,也是记忆仁慈的一面,对于一个女艺术家,如果被童 Madan’s work revealed a simple enough to prevent people caught off guard. This simple not only because of her beautiful Yunnan scenery, but also because of her heart single and pure beautiful longing. In her painting, there are two spaces, one is the natural world, one is the stage space, one is warm and the other is calm and quiet, but they are the true projection of Madin’s inner life. Only in the art of painting, the time will stop, pause at a moment in memory, which is the moment of grace, but also the memory of the merciful side, for a female artist, if the child