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“身体”是当代社会与文化的主题,也是当代艺术所醉心的题材与对象。如果说。现实主义艺术将历史、逻辑、伦理与禁忌铭刻在身体与画面之上,现代主义艺术则深入地发掘与表达了在理性逻辑摧残与宰制之下的身体的创伤与呼声,那么,当代艺术特别是后现代艺术则试图去除身体之上隐喻与附着的所有意义与内涵。没有深度的身体、无所指涉的身体正汇聚为当代艺术反抗深度理念和历史隐喻的一股潮流。我们在吕华近期的油画作品中听到了他对当代艺术这一倾向的呼应与回声。在批评家眼中,吕华一直是一位古典写实主义画家,唯美、安静。1992年从鲁迅美术学院油画系毕业后,吕华痴迷于成都的闲适、优雅与细
“Body ” is the theme of contemporary society and culture, but also obsessed with contemporary art theme and object. If. Realism art inscribes history, logic, ethics and taboos on the body and the picture. The modern art deeply explores and expresses the trauma and voice of the body under the destruction and control of rational logic. Therefore, the contemporary art It is postmodern art that attempts to remove all the meaning and connotation of metaphor and attachment above the body. Without a deep body, the undisputed body is converging as a tide of contemporary art resisting deep ideas and historical metaphors. In his recent paintings by Lu Hua, we hear his echo and echo of the tendency of contemporary art. In the eyes of critics, Lu Hua has always been a classical realist painter, beautiful and quiet. After graduating from the Oil Painting Department of Luxun Academy of Fine Arts in 1992, Lv Hu was obsessed with leisure, elegance and fineness in Chengdu