在京剧《死水微澜》中,浸透在文本、表演、时空把握、光色运用……等方面的一种开放的、包容的、前卫的戏剧观念,充分体现了制作者在尊重戏曲基本规律的前提下求新、求变、求美的艺术追求。这种追求,这种戏剧观念,对于处在急剧变化时代的京剧——戏曲艺术来说,既具有启示的意义,同时也具有实践的意义。 In the Peking opera “The Ravages of Water,” it permeates an open, inclusive and avant-garde concept of drama in terms of texts, performances, time and space utilization, and light color utilization. It fully demonstrates that the producer, while respecting the basic rules of opera Under the premise of seeking new, change, seeking beauty of the pursuit of art. This kind of pursuit, the concept of drama, is both instructive and practical for Peking Opera - opera art in a rapidly changing era.