坐在电影院里,四处是黑的,“刮痧”两个红色大字迎面而来,我换了个姿势,聚精会神起来。关于《刮痧》,我早就知道了它的情节,电视、网络、海报……一切的一切都让我知道它是借以刮痧事件来凸显“文明的冲突”的。以文化作为“卖点”的电影,很少,能引起人深层次思索和触动的电影,更少,《刮痧》应该是例外吧,毕竟还有梁家辉呢。我静静地坐在那里,等待着艺术的再现。整个过程,像个正在试镜的演员。有时候会笑,笑的缘由各种各样,开心或是滑稽;有时候会哭,哭的根源却只有一个,有孩子哭的场面;偶尔在朱旭无言的时候,那张苍老而无奈的脸抽动着我的内心。只是无关文化而已。 Sitting in the cinema, surrounded by dark, “Scrapping ” two red characters oncoming, I changed posture, concentrate on it. As for Scraping, I already knew its plot, the television, the internet, the posters ... Everything told me that it was by scraping events to highlight “the clash of civilizations.” With culture as a “selling point” movie, very few movies can arouse people's deep thinking and touch, with fewer exceptions. “Gua Sha” should be the exception. After all, there is Tony Leung Ka Fai. I sit quietly waiting for the reproduction of art. The whole process, like a cast audition. Sometimes laugh, laugh a variety of reasons, happy or funny; sometimes cry, the root causes of crying is only one, there are children crying scene; occasionally when Zhu Xu speechless, that old and helpless The face twitched my heart. It's just irrelevant culture.