曹禺悲剧创作并没有割断人与其生活的世界的联系 ,而是建构在以人为中心的历史和生命的双重空间 ,他把悲剧的根系深深扎进了中国历史和社会的土壤 ,对传统家族文化和畸形都市文明给予了决绝批判 ,同时又不停留在历史表层 ,而穿透社会历史的外壳 ,从最根本的生命价值层面启迪人生 ,具有深刻的现代文化意蕴 The tragedy creation of Cao Yu does not cut off the connection between man and the world in which he lives. Instead, he constructs a double space of history and life centered on people. He plunges the root of tragedy deeply into the history of China and the soil of society, And deformity of urban civilization gave a decisive critique, at the same time do not stop at the surface of history, but penetrate the social history of the shell, from the most basic level of life value to inspire life, with profound modern cultural connotation