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“全色”是中国古书画修复中的一项很重要的技术,包括“补色”与“接笔”两种技术。因为对修复者的综合修养要求很高,所以很多博物馆缺乏这方面的专业人员和技术,本文从实践出发,根据近年修复的文物实例总结经验,从文物保护的立场角度,系统地介绍了全色中需要注意的各个环节。提出“全色”既要注意细节,也要注意从实际情况出发,不能用同样的手法解决所有的问题。
“Panchromatic ” is a very important technique in the restoration of ancient Chinese painting and calligraphy, including two techniques of “complementary color ” and “connecting pen ”. Because of the high demand for the comprehensive restoration of the repairers, many museums lack the professionals and technologies in this field. Based on the experience and the experience of the relics rehabilitated in recent years, this article systematically introduces the full-color Need to pay attention to all aspects. Proposed “full color ” should pay attention to the details, but also pay attention to proceed from the actual situation, can not solve all the problems with the same approach.