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以黄河为题材的创作是余光中诗文的一个重要系列,这些作品不仅在中国“两岸三地”有较大的影响,而且在海外华人世界也产生了广泛强烈的审美心理的对位效应,成为中国当代文学中普遍公认的名篇佳构。这种审美效应的形成,关键在于抒情主体在抒情客体中倾注了一种强烈、深沉、绵长并略带苦涩的中华情意,并以此道出了普天之下炎黄子孙的共同情感和传达了海峡彼岸同胞及海外侨胞的共同心声。抒情主体与审美主体的情感在同一主旋律上的博动共振。遂使余光中那激荡着中华情意的诗文在文学边缘化的当下,仍能激起广大读者的审美注意。
The creation of the Yellow River as a theme is an important series of Yu Guangzhong’s poetry and prose. These works not only have a greater impact on the mainland China, the Mainland, Hong Kong and Mainland China, but also have produced a wide range of strong psychological effects of aesthetic psychology in the overseas Chinese world , Has become universally recognized in contemporary Chinese literature famous structure. The key to the formation of this aesthetic effect lies in that the lyric subject devotes a strong, deep, long and slightly bitter Chinese sentiment to the lyric object, and thus derives the common sentiments of the Yan Huang and Sun Yat-sen under all the conditions and communicates the strait The common aspirations of compatriots on the other side and overseas Chinese. The emotion of the main body of the lyric and the aesthetic subject resonates in the same theme. Thus Yu Guangzhong’s poetic poem stirring Chinese love marginalized in literature now, still arouse the readers attention.