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文章以青年艺术家杭春晖近年来以水墨为媒介的艺术作品为切入点,从作品语言及风格上的变化,梳理其艺术创作观念的变化轨迹。作者认为,杭春晖的艺术创作虽然以中国传统的水墨为媒介,但其艺术追求的目标却并未停留在传统水墨的审美维度,而是在人文内涵上极力扩展,突破传统绘画的语言形式,突出作品的内在意义及当代绘画的观念性、实验性。
The article takes the artistic works by ink painter as the starting point for the young artist Hang Chunhui in recent years, combing the changing track of his artistic creation concept from the change of the language and style of his works. The author thinks that although his artistic creation is based on traditional Chinese ink and wash, his pursuit of art does not stop at the aesthetic dimension of traditional ink and wash. Instead, he attempts to expand the connotation of humanity and break through the traditional forms of language, Highlighting the intrinsic meaning of the work and the conceptual and experimental nature of contemporary painting.